But that same recording technique can be used with music for a similar result: Total sonic immersion. That sounds like the kind of thing you’d get in a commercial movie theater, and it is - Dolby Atmos is used for creating highly immersive soundtracks for movies, with sound that feels like it’s coming from in front of you, behind you, both sides, and above. Dolby Atmos Music, on the other hand, is a native surround sound technology, with support for up to 128 channels and up to 34 separate speakers in a home theater, including speakers that can direct sound down toward the listener from the ceiling. However, no matter how many channels they start with, if they’re creating a stereo recording, these multiple channels must be combined eventually into just two channels: A left and a right, which corresponds to the two speakers in a stereo environment. Modern-day music producers have access to some very sophisticated digital recording equipment that lets them mix music from dozens of separate channels (also called tracks).
Keep the channels open LightFieldStudios/Getty Images Why your next soundbar should have Dolby Atmos.How to know if you’re actually getting Dolby Atmos sound.Dolby Atmos: The future of immersive sound.Dolby Atmos Music puts that same technology into the hands of musicians and producers, letting them craft songs that possess a greater sense of space and depth than the traditional stereo recordings we’re used to. If you’ve been to see a blockbuster action movie in the theaters, you’ve probably already heard what Dolby Atmos can do for movies, with its immersive, three-dimensional sound field. The most popular of these formats is Dolby Atmos Music, and it can make good ol’ stereo sound like mono AM radio.īut what exactly is Dolby Atmos Music? How is it different than stereo? And what kind of gear do you need to listen to it at home and on the go? We’ve got everything you need to know to get on the Dolby Atmos Music train. But over the past few years, there’s been a growing movement in the recording industry toward so-called spatial audio formats.
Whether we get our music through streaming services, satellite radio, CDs, or vinyl, most of it has been recorded using the time-honored technique of two-channel stereo.
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